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While the rest of us were taking down the Christmas tree and planning our Veganuary menus (you weren’t?), the country’s dedicated style-setters had other things on their mind. Because the first week of January is also London Fashion Week Men’s – the bi-annual menswear showcase that reveals what’s going to be hot next season.

And the big news – caps are on the catwalk. One leading label presented an entire collection inspired by Peaky Blinders, the cult BBC drama about peaked flat-cap wearing gangsters. Style-watchers at GQ report that David Beckham, no less, is a big flat cap fan. And as British Fashion Council ambassadorial president, Beckham should know a thing or two. We’re sure he would love our own version of the classic eight-piece design, made naturally from 100% pure new wool Skye Weavers tweed.

Our own caps are sewn for us by traditional British company Olney Headwear. The firm has been making hats and caps for more than 100 years and is owned by the fourth generation of the Olney family. They are based in the Bedfordshire town of Luton, the centre of UK hat making for nearly three centuries. Making headwear is a skilled and specialised business, and we wanted to choose the very best professionals to work with. We were really impressed by Olney’s craftsmanship and eye for detail when we went to visit them.

All this got us looking into the history of the cap. We call ours a baker boy but the eight-piece is known by various other monikers including the newsboy, paperboy, cheese-cutter, Gatsby, Irish and cabbie cap, as well as the peaky blinder. The cap might be a modern classic but it’s been around for hundreds of years. It’s said that caps derived from the Scots bonnets and the flat caps worn by Irish farmers in the 14th century. Mass immigration to North America in the 19th and early 20th centuries helped popularise the cap in the USA. In Britain it became part of the working man’s uniform but was also adopted by the aristocracy for hunting and shooting on their country estates. And it seems the cap also came in handy in the days before motorcycle helmets!

In our more gender fluid age, our tweed caps are great for both men and women. Fully lined with a curved peak brim, they’re available in Moss Check or Silver Birch. Check them out in our online shop.

Harris Tweed is famous the world over. But did you know that Skye once had its own cottage-based weaving industry? An exhibition and events programme next week in Portnalong, near Talisker on Skye’s west coast, will tell its intriguing story. And as proud inheritors of this local tradition we’re thrilled to be involved.

‘Port-na-Skye’ – The New Harris Tweed?

Portnalong and its neighbouring townships of Fiskavaig and Fearnilea were created after World War I when the Board of Agriculture bought land to offer to people wanting to make a new life. Over 60 families moved there, most of them weavers from overcrowded townships on the Isles of Harris and Lewis. Small weaving sheds were provided on the crofts, and spinning, knitting and weaving became important sources of income for the settlers.

Port-na-Skye tweed, as it was known, was sold to passing trade and tourists who arrived by boat and later by motor car. Production methods became more sophisticated with the introduction of Hattersley Looms, and many different colours and patterns were made until the early 1970s. Although Port-na-Skye failed to enjoy the commercial success of Harris Tweed there remains a strong interest in spinning and weaving within the local community to this day.

From Lamb to Loom

 
Getting the fleece from lamb to loom was a time-consuming process for the Portnalong weavers. After shearing, the fleece would be scoured in the stream and dyed in large pans over the fire, using local plants and roots. It was then hand-carded to sort the fibres, spun into yarn on a spinning wheel and finally wound onto cones ready for weaving.

The cloth was woven on a large wooden floor loom or a smaller table-top loom, and taken by men to be washed in the stream. It was finished by the women, who sat around a large table where the soaked tweed was rhythmically thumped to shrink and soften the fabric. The finishing process, also known as ‘waulking’, was hard graft but also a great social occasion with lots of gossip and songs to keep the rhythm and lighten the work.

Living Tradition

While our singing is best avoided at Skye Weavers, we otherwise like to keep local traditions alive. Although our looms use a different mechanism to those used in Portnalong in the early 20th century, they are still powered manually, in our case by bicycle pedals. And while waulking is no longer the communal activity it was, our skilled finishers – Schofield in the Scottish Borders – are long established experts with an attention to quality that is second to none. (And we’re sure they enjoy a gossip in their spare time too.) You can follow our own tweed-making journey here.

We’re especially proud of our Skye Wool range using local fleeces. This year we have something extra special as part of the ‘Lamb to Loom’ exhibition programme: Sgioba Luaidh Inbhirchluaidh, the Inverclyde Waulking Group, will be singing waulking songs while finishing some of our Skye Wool tweed in the Minginish Village Hall. Come and watch them at work/waulk on Thursday 28 – Saturday 30 June, and join a Thursday afternoon workshop.

Ethical fashion is trending right now. Today, more and more of us are asking what impact our clothes have on people and on the planet. There’s a growing market for clothes with a conscience – whether that’s up-cycled, organic, natural or Fairtrade. ‘Buy less, care more’ is becoming the green fashionista’s mantra.

A driving force in this is Fashion Revolution – a global movement for ethical and sustainable fashion. Self-styled ‘pro-fashion protestors’, Fashion Revolution celebrate fashion as a positive influence while also scrutinising industry practices and raising awareness of pressing issues.

Today we’re joining them in marking the start of Fashion Revolution Week. The Week falls on the anniversary of the Rana Plaza factory collapse in Bangladesh, which killed 1138 people and injured many more in 2013. All round the globe people will be asking brands #whomademyclothes and demanding greater transparency in the fashion supply chain.

Our ethical commitment

From a renewable raw material to pedal-powered production, at Skye Weavers we’ve always been committed to making our business as sustainable as possible.

We know #whomademyclothes – it’s us! From warping to sewing, we keep our production processes in-house as far as possible. This means that we know exactly who created each garment, throw, scarf or tweed. It also keeps weaving traditions alive and provides local employment and training. When we do work with partner manufacturers we select them carefully, for example working with social enterprise Kalopsia Collective on our bags and ties.

Keeping it local. We work with suppliers in Scotland, northern England and Wales. From wool mills and finishers to the people who weave our labels, we avoid large-scale faceless corporations even if it means we have to absorb higher manufacturing costs. We often visit these suppliers personally, building up a relationship and developing a satisfying creative partnership.

Wool, naturally. We use a sustainable raw material. Our woolly friends generously grow a new fleece for us each year, making it the ultimate renewable resource. What’s more, wool is biodegradable (not that we expect you to throw away your Skye Weavers garments of course). We even use natural dyes in some of our products, and source some of our wool from local farms on Skye.

Love not landfill. We create high quality products that you will cherish, not chuck away at the end of the season.

Pedal power. Who needs fossil fuels? Our looms are 100% pedal powered!

Go green with your home furnishings!

People have been snapping up our green diamond tweed so fast that unfortunately we’re out of stock. But don’t go green with envy – we’ve been pedalling fast so there’s more on its way. Your can pre-order a length of the tweed here, or sign up to our newsletter if you would like to receive an email when the cushions are available online.

Or if you can’t wait, why not check out our Skye Wool collection for something ultra-local with the minimum of wool miles!

Last year we ran a photo competition looking for inspiration for a new tweed – the Glendale Check. Glendale is a small village in the north west of Skye. It is where we are pedalling away on our bicycle pedal-powered loom to create tweed, scarves, throws and more.

After designing the tweed, trying out various options on the sample loom, sourcing the yarn, winding cones, warping and finally weaving, the new tweed is available in our online shop now!

We are using the tweed to make a new range of Glendale Check Cushions. Discover the story behind the cushion: